Guy Francon’s office was polished. No, thought Keating, not polished, but shellacked; no, not shellacked, but liquid with mirrors melted and poured over every object. He saw splinters of his own reflection let loose like a swarm of butterflies, following him across the room, on the Chippendale cabinets, on the Jacobean chairs, on the Louis XV mantelpiece. He had time to note a genuine Roman statue in a corner, sepia photographs of the Parthenon, of Rheims Cathedral, of Versailles and of the Frink National Bank Building with the eternal torch.
He saw his own legs approaching him in the side of the massive mahogany desk. Guy Francon sat behind the desk. Guy Francon’s face was yellow and his cheeks sagged. He looked at Keating for an instant as if he had never seen him before, then remembered and smiled expansively.
“Well, well, well, Kittredge, my boy, here we are, all set and at home! So glad to see you. Sit down, boy, sit down, what have you got there? Well, there’s no hurry, no hurry at all. Sit down. How do you like it here?”
“I’m afraid, sir, that I’m a little too happy,” said Keating, with an expression of frank, boyish helplessness. “I thought I could be businesslike on my first job, but starting in a place like this . . . I guess it knocked me out a little . . . I’ll get over it, sir.” he promised.
“Of course,” said Guy Francon. “It might be a bit overwhelming for a boy, just a bit. But don’t you worry. I’m sure you’ll make good.”
This instant classic is the story of an intransigent young architect, his violent battle against conventional standards, and his explosive love affair with a beautiful woman who struggles to defeat him.
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