We’ve also made changes to the award. First, there’s a mandatory $4 entry fee, $2 of which goes to the prize fund. Thus if we should get the same number of entries as last year—283—the prize will be $566. The more entries, the larger the amount. It therefore pays to recruit your friends. The minimum amount awarded will be $250.
So what happens to the other $2? First of all, it’s not $2, it’s $.81, after credit card and processing fees are subtracted. We’ll use this money to fund various programs, including other contests, awards, and (we hope, eventually) a college scholarship. Everyone who works for Lascaux is an unpaid volunteer.
Another change this year is the option to nominate someone in the publishing community for an industry recognition award. The nominee can be a publishing professional of any kind, someone you think deserves recognition for his or her advocacy for writers. There’s a box to fill out on the Submittable form. It’s optional.
Okay, on now to essential stuff, which we’ve craftily titled “Essential Stuff.”
Compose a work of fiction, maximum length 250 words. The prompt below is for inspiration only; entries will not be judged on how well they relate to it. Title and byline are not included in the word count. Contestants may enter more than once.
|"East Bergholt Interior, Suffolk," collage, by William Savage, 2013. Used with permission.|
Submissions are presently open; we’ll start posting them at noon on 6 March 2013. Submissions will close at midnight eastern time on 20 March (the Vernal Equinox). Submit your story using the Submittable form linked here:
Enter a Story in the Lascaux 250 Contest
Entries should look like this:
The Title of Your Story
by Your Name
Story begins, single spaced, with a blank line between paragraphs, no indents, and no unconventional formatting.
Additional Stuff, Also Essential
We use the word count function in Microsoft Word. If it says you’re over, you’re over, regardless of what other word counts may tell you. Some contestants try to shoehorn extra words in by combining them, e.g., “Maryhad alittle lamb, its fleece waswhite as snow,” and by taking extraordinary liberties with em-dashes and ellipses points. These tactics amuse us, thank you. We’ll share the merriment by publishing exactly what you submit.
Readers and contestants alike are invited and encouraged to comment on entries. If you wish to provide criticism, be specific and constructive. The wrong way: “Your dialogue sounds amateurish.” The right way: “Consider replacing dialogue tags like ‘he responded aggressively’ with a simple ‘he said,’ to focus the reader’s attention on the dialogue itself.”
Finally, since some people don’t know how to pronounce Lascaux, here's a quick primer:
And away we go!