The first blow inflicted more shock than pain. The second hurt more. Each blow which followed increased the pain. At first I was aware of the walls, the toilet, the tub. Finally I couldn’t see anything. As he beat me, he berated me, but I couldn’t understand the words. I thought about his roses, how he grew roses in the yard. I thought about his automobile in the garage. I tried not to scream. I knew that if I did scream he might stop, but knowing this, and knowing his desire for me to scream, prevented me. The tears ran from my eyes as I remained silent. After awhile it all became just a whirlpool, a jumble, and there was only the deadly possibility of being there forever. Finally, like something jerked into action, I began to sob, swallowing and choking on the salt slime that ran down my throat. He stopped.
He was no longer there. I became aware of the little window again and the mirror. There was the razor strop hanging from the hook, long and brown and twisted. I couldn’t bend over to pull up my pants or my shorts and I walked to the door, awkwardly, my clothes around my feet. I opened the bathroom door and there was my mother standing in the hall. “It wasn’t right,” I told her. “Why didn’t you help me?”
“The father,” she said, “is always right.”
In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.
Click on the cover to visit the book's Amazon page.
1 comment:
I was a huge fan of Bukowski when I was younger. His writing is so open and visceral. Love him.
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